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eFFo[R]t

Dirge+Silkwood+WD

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котл брист + 1 бомж

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а если по сабжу : Автор ссаный мудак , все давно знают , что зомби контрится кункой, а так же бристлом :avtorklif: нахуй создавать ебаный топик :NYfffuuu:

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котл брист + 1 бомж

^прав

зы. спс


Ухожу с продоты изза непонимания со стороны менеджмента

 

HIGHSKILL BROADCASTED

doc7954915_192394962?hash=10de45b835508a7bd5&dl=d816b424ad51b366c0&wnd=1

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кто такой дирге и силквуд и вд

 

ну ты и дно ппц не знаешь кто такой дирге даже я знаю а вот кто такой силквуд сам не ипу ппц

чорной бобрихи на вас нет

2FXSw.png

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дазл с хила также убивает всех зомби

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t link=topic=189125.msg2024221624#msg2024221624 date=1294665554]

тогда каких 2 сапа пойдут под ББ\Адмирала?

вариантов много, можно даже поэксперимантировать

Под бб: цм+дазл было бы идеально. Но противник может оказаться хитрей, и качать зомби через хил+похищение, и убивая саппортов бристла по кд, а без саппов бб слаб.

под кунку: цмка+дазл так же, их скилы подходят идеально для сейва керри а вношение аое дамага. Можно попробывать джакиро, но саппорты с маленьким ренжем - хуево. Как вариант - фулсап эзалор, убивает с волны крипов, наливает маны кунке. Экспериментально - вертолет, качать через ракету+сплеш, убивать зомбаков и томб.

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любым соло контрится энигма фурион вр потма.

любым даблом который имеет касты с большим ренжем типа КОТЛ+ес, но все же пиже соло .

трипл с некроликком бб дазлом выебет без пощадно

не убиваешь на лайне - андед хуйня

снесли томб - андед хуйня

40 минута игры - андед хуйня

андедом сыиграл дохуя кв против сильных поцонов типа бебикнайта , друидз,компето и прочей поебени

хуйня этот трипл

 

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OK  :NYyes:


Ухожу с продоты изза непонимания со стороны менеджмента

 

HIGHSKILL BROADCASTED

doc7954915_192394962?hash=10de45b835508a7bd5&dl=d816b424ad51b366c0&wnd=1

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любым соло контрится энигма фурион вр потма.

любым даблом который имеет касты с большим ренжем типа КОТЛ+ес, но все же пиже соло .

трипл с некроликком бб дазлом выебет без пощадно

не убиваешь на лайне - андед хуйня

снесли томб - андед хуйня

40 минута игры - андед хуйня

андедом сыиграл дохуя кв против сильных поцонов типа бебикнайта , друидз,компето и прочей поебени

хуйня этот трипл

 

закрываем тему

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некролик+даззл+...

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Silkwood

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Silkwood

 

Original poster

Directed by Mike Nichols

Produced by Michael Hausman

Mike Nichols

Written by Nora Ephron

Alice Arlen

Starring Meryl Streep

Kurt Russell

Cher

Craig T. Nelson

Music by Georges Delerue

Cinematography Miroslav Ondricek

Editing by Sam O'Steen

Distributed by 20th Century Fox

Release date(s) December 14, 1983 (1983-12-14)

Running time 131 minutes

Country United States

Language English

Gross revenue $35,615,609 (US)[1]

 

Silkwood is a 1983 American drama film directed by Mike Nichols. The screenplay by Nora Ephron and Alice Arlen was inspired by the true-life story of Karen Silkwood, who died in a suspicious car accident while investigating alleged wrongdoing at the Kerr-McGee plutonium plant where she worked.

Contents

[hide]

 

    * 1 Plot

    * 2 Production

    * 3 Cast

    * 4 Critical reception

    * 5 Box office

    * 6 Awards and nominations

    * 7 Home media

    * 8 References

    * 9 External links

 

[edit] Plot

 

Karen Silkwood, a hard-living metallurgy worker at the Kerr-McGee Cimarron Fuel Fabrication Site (near Crescent, Oklahoma), shares a ramshackle house with two co-workers, her boyfriend Drew Stephens and her lesbian friend Dolly Pelliker. In addition to working tedious hours making plutonium fuel rods for nuclear reactors and dealing with the constant threat of exposure to radiation, her time is consumed by an ongoing battle waged against her former common law husband in an effort to have more time with their three children. In the little leisure time she has, she enjoys drinking and indulging in recreational drug use.

 

Because the plant has fallen behind on a major contract, employees are required to work long hours of overtime and managers are falsifying safety reports and cutting corners wherever possible, risking the welfare of the personnel. Karen approaches the union with her concerns and becomes active in lobbying for safeguards. She travels to Washington, D.C. where she interacts with union officials who appear to be more interested in the publicity she is generating than her welfare and that of her co-workers.

 

When Karen and other workers become contaminated by radiation, plant officials try to minimize the incident. When she discovers the negatives of photographs of the faulty fuel rods that caused her illness have been retouched and records of inadequate safety measures have been altered, Karen decides to conduct an investigation of her own. Complications arise in her personal life when funeral parlor beautician Angela joins the household as Dolly's lover and Drew, unable to deal with her obsession with gathering evidence, moves out.

 

Once she feels she has gathered all the proof of wrongdoing she needs, Karen contacts a reporter from the New York Times and arranges a meeting. In the film's final moments, the scene fades out as Karen sees headlights in her rear-view mirror, then fades in on the aftermath of her fatal one-car crash, and the viewer is left to decide whether the crash was truly an accident or deliberately caused.

[edit] Production

 

The film was shot on location in Albuquerque and Los Alamos in New Mexico and Dallas, Howe, Texas City, and Tom Bean in Texas.

[edit] Cast

 

    * Meryl Streep as Karen Silkwood

    * Kurt Russell as Drew Stephens

    * Cher as Dolly Pelliker

    * Craig T. Nelson as Winston

    * Fred Ward as Morgan

    * Diana Scarwid as Angela

    * Ron Silver as Paul Stone

    * Josef Sommer as Max Richter

    * Charles Hallahan as Earl Lapin

    * Sudie Bond as Thelma Rice

    * Henderson Forsythe as Quincy Bissell

    * Bruce McGill as Mace Hurley

    * David Strathairn as Wesley

    * M. Emmet Walsh as Walt Yarborough

 

[edit] Critical reception

 

Vincent Canby of the New York Times called the film "a precisely visualized, highly emotional melodrama that's going to raise a lot of hackles" and "a very moving work." He added, "There are, however, problems, not unlike those faced by Costa-Gavras in his State of Siege and Missing, and they are major. Mr. Nichols and his writers ... have attempted to impose a shape on a real-life story that, even as they present it, has no easily verifiable shape. We are drawn into the story of Karen Silkwood by the absolute accuracy and unexpected sweetness of its Middle American details and then, near the end, abandoned by a film whose images say one thing and whose final credit card another. The muddle of fact, fiction and speculation almost, though not quite, denies the artistry of all that's gone before." He concluded, "I realize that films shouldn't be judged in bits and pieces, but it's difficult not to see Silkwood in that way. For most of its running time it is so convincing - and so sure of itself - that it seems a particular waste when it goes dangerously wrong. It's like watching a skydiver execute all sorts of graceful, breathtaking turns, as he appears to ignore gravity and fly on his own, only to have him smash to earth when the chute doesn't open."[2]

 

Roger Ebert of the Chicago Sun-Times rated the film four stars and commented, "It's a little amazing that established movie stars like Streep, Russell and Cher could disappear so completely into the everyday lives of these characters."[3]

 

David Sterritt of the Christian Science Monitor called the film "a fine example of Hollywood's love-hate attitude toward timely and controversial subject matter." He continued, "The movie sides with Silkwood as a character, playing up her spunk and courage while casting wry, sidelong glances at her failings. When it comes to the issues connected with her, though, the filmmakers slip and slide around, providing an escape hatch ... for every position and opinion they offer. This makes the movie less polemical than it might have been, and a lot more wishy-washy . . . This is too bad, because on other levels Silkwood is a strong and imaginative film. Meryl Streep gives the year's most astounding performance by an actress, adding vigor and complexity to almost every scene with her endlessly inventive portrayal of the eccentric heroine. The supporting players skillfully follow her lead."[4]

[edit] Box office

 

The film opened in 257 theaters in the United States on December 14, 1983 and grossed $1,218,322 on its opening weekend, ranking #12 at the box office. By its seventh week of release it had expanded to 816 screens and reached #1. It eventually earned $35,615,609 in the US.[1]

[edit] Awards and nominations

 

    * Academy Award for Best Actress (Meryl Streep, nominee)

    * Academy Award for Best Supporting Actress (Cher, nominee)

    * Academy Award for Best Director (Mike Nichols, nominee)

    * Academy Award for Best Original Screenplay (Nora Ephron and Alice Arlen, nominees)

    * Academy Award for Best Film Editing (Sam O'Steen, nominee)

    * BAFTA Award for Best Actress in a Leading Role (Meryl Streep, nominee)

    * BAFTA Award for Best Actress in a Supporting Role (Cher, nominee)

    * Golden Globe Award for Best Supporting Actress – Motion Picture (Cher, winner)

    * Golden Globe Award for Best Motion Picture – Drama (nominee)

    * Golden Globe Award for Best Actress – Motion Picture Drama (Meryl Streep, nominee)

    * Golden Globe Award for Best Supporting Actor – Motion Picture (Kurt Russell, nominee)

    * Golden Globe Award for Best Director (Mike Nichols, nominee)

    * Kansas City Film Critics Circle Award for Best Actress (Meryl Streep, winner)

    * Writers Guild of America Award for Best Original Screenplay (Nora Ephron and Alice Arlen, nominees)

 

[edit] Home media

 

Anchor Bay Entertainment released the film on DVD in Region 1 on June 15, 1999. Viewers had the option of anamorphic widescreen or fullscreen formats.

 

A Region 2 DVD was released by PT Video on April 8, 2002.

 

A second Region 1 DVD was released by MGM Home Entertainment on October 7, 2003. It is in anamorphic widescreen format with subtitles in English, Spanish, and French.

[edit] References

 

  1. ^ a b BoxOfficeMojo.com

  2. ^ New York Times review

  3. ^ Chicago Sun-Times review

  4. ^ Christian Science Monitor review

 

[edit] External links

 

    * Silkwood at the Internet Movie Database

    * Silkwood at Allmovie

 

[hide]v · d · eFilms directed by Mike Nichols

1960s

Who's Afraid of Virginia Woolf? (1966) • The Graduate (1967)

1970s

Catch-22 (1970) • Carnal Knowledge (1971) • The Day of the Dolphin (1973) • The Fortune (1975)

1980s

Gilda Live (1980) • Silkwood (1983) • Heartburn (1986) • Biloxi Blues (1988) • Working Girl (1988)

1990s

Postcards from the Edge (1990) • Regarding Henry (1991) • Wolf (1994) • The Birdcage (1996) • Primary Colors (1998)

2000s

What Planet Are You From? (2000) • Wit (2001) • Angels in America (2003) • Closer (2004) • Charlie Wilson's War (2007)

Retrieved from "http://en.wikipedia.org/wiki/Silkwood"

Categories: 1983 films | American films | English-language films | 20th Century Fox films | 1980s drama films | American biographical films | American drama films | Films about the labor movement | Films based on actual events | Films directed by Mike Nichols | Films set in Oklahoma | Films set in the 1970s | Films shot in New Mexico | Films shot in Texas

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